Song..yunhi dil ne chaha tha rona rulana..
यूँही दिल ने चाहा था रोना रुलाना..
Film..Dil Hi To Hai,1963,
Singer..Suman Kalyanpur,
Lyricist..Sahir Ludhianvi,
Music Director..Roshan,
Director..C.L. Rawal,P L Santoshi,
Cast..Raj Kapoor,Nutan, Pran,Agha,Nazir Hussain,Leela Chitnis,SabiaChatterjee,Manorama,
Indu Shivraj,Mumtaz Begum,Hari Shivdasani,Babloo,Padmini,
Producer..B.L. Rawal,
Production Co..Rawal Films,
Lyrics...
yunhi dil ne chaahaa thaa ronaa rulaanaa
teri yaad to ban gayi ik bahaanaa
yunhi dil ne chaahaa thaa ronaa rulaanaa
teri yaad to ban gayi ik bahaanaa
hame bhi nahi ilm, ham jis pe roe
vo biti rute hai ke aataa zamaanaa
vo biti rute hai ke aataa zamaanaa
teri yaad to ban gayi ik bahaanaa
gam-e-dil hai aur gam-e-zindagi bhi
na isakaa thikaanaa na usakaa thikaanaa
gam-e-dil hai aur gam-e-zindagi bhi
na isakaa thikaanaa na usakaa thikaanaa
na isakaa thikaanaa na usakaa thikaanaa
teri yaad to ban gayi ik bahaanaa
koi kisape tadape, koi kisape roe
idhar dil jalaa hai, udhar aashiyaanaa
idhar dil jalaa hai, udhar aashiyaanaa
teri yaad to ban gayi ik bahaanaa
yunhi dil ne chaahaa thaa ronaa rulaanaa
teri yaad to ban gayi ik bahaanaa..
यूँही दिल ने चाहा था रोना रुलाना
तेरी याद तो बन गई इक बहाना
यूँही दिल ने चाहा था रोना रुलाना
तेरी याद तो बन गई इक बहाना
हमें भी नहीं इल्म, हम जिस पे रोए
वो बीती रुतें हैं के आता ज़माना
वो बीती रुतें हैं के आता ज़माना
तेरी याद तो बन गई इक बहाना
ग़म-ए-दिल भी है और ग़म-ए-ज़िंदगी भी
न इसका ठिकाना न उसका ठिकाना
ग़म-ए-दिल भी है और ग़म-ए-ज़िंदगी भी
न इसका ठिकाना न उसका ठिकाना
न इसका ठिकाना न उसका ठिकाना
तेरी याद तो बन गई इक बहाना
कोई किसपे तड़पे, कोई किसपे रोए
इधर दिल जला है, उधर आशियाना
इधर दिल जला है, उधर आशियाना
तेरी याद तो बन गई इक बहाना
यूँही दिल ने चाहा था रोना रुलाना
तेरी याद तो बन गई इक बहाना..
Dil Hi To Hai (It is only a heart) is a 1963 Indian Bollywood film directed by C.L. Rawal, P.L. Santoshi and produced by B.L. Rawal. It stars Raj Kapoor and Nutan ..
Dil Hi To Hai (1963)
Storyline.....
An impoverished widowed Hindu nanny brings up an abused and abandoned Muslim lad..
In a mansion, filled with guests and decorated for a wedding, two men struggle over the possession of a revolver. A shot rings out and to the horror of the assembled throng, a lady falls, dying. She is the mother of one of the protagonists and her deathbed confession is the key that unravels the complicated events that led up to this tragic climax - a tale that involves switched identities, multiple disguises, an arranged marriage, attempted murder, heartless cruelty, rapacious greed and (for good measure) a dancing girl whose mother (were she around) would have good reason to suspect her condition.
—van Goethem
After three of her four children pass away, wealthy Nawab Jallaudin and his wife decide to leave the 4th, Yusuf, with their relatives, Sabra and Farida, who also have their very own son, Sheku. After 3 years, they want Yusuf to be brought back, but wily Farida decides to abandon Yusuf at the railway station and pass off Sheku as him. She does pull wool successfully over the Nawab and Sheku is accepted, while Yusuf ends up with an impoverished Hindu Aaya, who ironically, loses her job with the Nawab himself, after deciding to adopt Yusuf. Years later, Yusuf has grown up, sings on All India Radio as 'Chand', meets and falls in love with wealthy widower Khan Bahadur's daughter, Jamila Banu - unknowingly setting forth a chain of events - some hilarious, some tragic, but mostly that result in his humiliation.
—rAjOo