ProRes RAW vs. ProRes 4444 (HDR)
A comparison of ProRes RAW and ProRes 4444
Identical color correction to both clips (no hue adjustment)
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Sony a7s III
Sony FE 35mm f/1.4 GM
ISO 640, f/4.5
Nanlite Forza 60
Nanlite Forza 300
Aputure Lantern 90
Nanlite PJ FZ60 19
Edited in Final Cut Pro
LG 55CX
MacBook Pro (late 2021)
Uploaded to YouTube in HEVC10 slower (higher quality)
Download ProRes RAW HQ sample footage: https://www.mediafire.com/file/qz20tm...
DaVinci Resolve HDR10 Workflow here: https://daejeonchronicles.com/2021/03...
The a7s III is not just a warmed-over a7 III: it has vastly improved color science, uncanny autofocus that surpasses that of any rival mirrorless camera (especially when recording RAW and log at two stops over); full pixel readout 4K 120p with no line skipping or overheating; the highest resolution EVF of any hybrid camera; a wide choice of codecs to choose from with manageable file sizes; and improved image stabilization.
Comprehensive Final Cut Pro HDR10 Workflow here: https://daejeonchronicles.com/2020/11...
Download free a7s III 4K 60p ALL-I 600Mbps 4:2:2 S-log3/S-Gamut3 HDR sample footage (608MB) here:
http://www.mediafire.com/file/jfpvovc...
"Yvette" by Monolog Rockstars
Source: https://freemusicarchive.org/music/mo...
License: https://creativecommons.org/licenses/...
visit my blog at daejeonchronicles.com
