a7s III Internal Codec vs ProRes 4444 (HDR)
A comparison of the internal codec vs. ProRes RAW HQ transcoded to ProRes 4444
Quick color correction to match both clips
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Sony a7s III
Sony FE 35mm f/1.4 GM
ISO 640, f/4.5
Nanlite Forza 60
Nanlite Forza 300
Aputure Lantern 90
Nanlite PJ FZ60 19
Edited in Blackmagic Design DaVinci Resolve Studio 17
LG 55CX
Uploaded to YT in HEVC10
Download ProRes RAW HQ sample footage: https://www.mediafire.com/file/qz20tm...
DaVinci Resolve HDR10 Workflow here: https://daejeonchronicles.com/2021/03...
The a7s III is not just a warmed-over a7 III: it has vastly improved color science, uncanny autofocus that surpasses that of any rival mirrorless camera (especially when recording RAW and log at two stops over); full pixel readout 4K 120p with no line skipping or overheating; the highest resolution EVF of any hybrid camera; a wide choice of codecs to choose from with manageable file sizes; and improved image stabilization.
Comprehensive Final Cut Pro HDR10 Workflow here: https://daejeonchronicles.com/2020/11...
Download free a7s III 4K 60p ALL-I 600Mbps 4:2:2 S-log3/S-Gamut3 HDR sample footage (608MB) here:
http://www.mediafire.com/file/jfpvovc...
"American" by Crowander
Source: https://freemusicarchive.org/music/cr...
License: https://creativecommons.org/licenses/...
visit my blog at daejeonchronicles.com
